Everybody remembers Tina Turner’s iconic concert at Rio’s Maracana back in 1988, breaking a world record and captured for the memories but there’s other countries in South America set on fire by Tina while touring her Break Every Rule album worldwide.
If ‘Rio was hot’ well Buenos Aires probably reached the same level of rawness and passion in front of the massive crowd gathered at the Estadio River Plate Stadium. After spending the year 1987 heavily touring Europe and the USA, Tina was exploring news frontiers and conquering new (and longtime) fans in Argentina, Chile and Brazil. The success and recognition Tina received from the audience there was massive and memorable. Blog stats can attest that Tina is still very very popular in South America as she is the rest of the world. Starting with this concert in Buenos Aires, the year 1988 would be as extraordinary and exhausting as the previous one. Leaving one continent for the other, Tina concluded her Break Every Rule with a tour of Australia and a series of concerts in Japan.
Fans have complained over the years about the lack of footage from this very special era but let’s never lose hope of getting new footage and you can be sure you’ll find it on Tina Turner Blog! Until then, two uploads from Tina’s concert in Buenos Aires! I am aware most of the hardcore fans saw it before but let’s be honest in quite poor quality. Still those uploads of ‘Help’ and ‘Proud Mary’ aren’t the quality you would wish for, but I guess this is the best you could get so far! Enjoy!
8 years ago, Tina Turner was in the middle of a series of concerts (March 21 and 22 and May 2) at the GelreDome in Arnhem, The Netherlands. The shows were the biggest during Tina’s 50th Anniversary Tour, with approximately 33,000 fans in the stadium each night. Together with the concert in Prague, these were the only concerts with a standing audience. For this reason, the show was recorded for the dvd of the tour, but it was special also for a lot of other reasons, you read all about it here…
To celebrate, two new video uploads from TINA’s last tour, not from Arnhem but from Helsinki with a powerful rendition of ‘We Don’t Need Another Hero’ and one of Tina’s all time favorite song ‘Addicted To Love’ ! Enjoy!
It’s a picture we would like to see more often: TINA in a recording studio! Taken last December in Zurich, Tina looks radiant and appears very concentrated on her message! But don’t get your hopes too high, Miss Tina isn’t recording a new rock album, she is just putting her voice again on a few tracks for the upcoming Beyond album due to be released later this year. Apart from that, it’s been very quiet lately, TINA, The Musical is still in development and the first newsletter should arrive soon! Until then here’s a couple of new photos posted by the musical team on social networks.
In 1982, Tina Turner contributed two songs to the soundtrack of the movie Summer Lovers. A cover of the Robert Palmer song Johnny and Mary and the song Crazy In The Night. The first song was also later released on the 1994 The Collected Recordings 60’s to 90’s compilation box set, while the song Crazy In The Night was never released on CD. Crazy In The Night is actually a song written by George Porter, member of Australian rock band Sherbet.
If you mention River Deep Mountain High to any music connaisseur, they’ll mention Tina Turner & Phil Spector. The masterpiece created by the two is the most famous songs of their collaboration but of course more B-sides and rare tracks have emerged over the years. And you can always count on a friend to get you back to those gems! Earlier today, TINA fan & friend Enrico send me remastered version of ‘A man is a man is man’, ‘Two to Tango’, ‘Down Down’ & ‘Watcha Gonna Do’ and offered to share them on the blog! So here their along with a very interesting story by David Young about Turner & Spector work.
Since the late 1970s, tapes have circulated among collectors of Tina Turner singing a Spectoresque version of the song “Everything Under the Sun,” written by Bob Crewe and Gary Knight. After remaining in the vaults for ten years, the song had seen official release in 1976 in a Spector-produced version by The Ronettes on the Phil Spector International compilation Rare Masters Vol. 2, and had previously been issued in radically differing versions by The Walker Brothers and Jackie DeShannon.
2016 is already two months old and so far, we did not hear anything from Tina Turner, her record company or anybody else about a mandatory ‘de luxe edition’ and commemorative box set of her “Break Every Rule” album which turns 30 this year. What we heard, however, were literally a dozen requests from our readers for such a release so that we feel compelled to cry out for help in this matter: We want “Break Every Rule” released in a spectacular 30th anniversary edition! (By the way, Thanks for ‘Private Dancer 30th Anniversary’ last year Mr Bach!)
Just to be clear about this: this is not really a mere suggestion or a hint that such a release is absolutely essentially necessary and highly awaited but rather a demand. Just think of it as an online petition. But we safe you the burden of reading through our Excel sheets with all the names and email addys and simply call a spade, a spade here.
2016 will be a Tina Turner Super Year. There are so many anniversaries it will be difficult to find any space left in the calendar which is not filled with albums or singles which were released so many years ago that they already pile up to decades. This introduction into 2016 will prepare you and your nerves for the Tina Turner rollercoaster ride you can expect but for which you might not be ready without seeing the big picture.
BY KURT LODER | October 11, 1984
From Rolling Stones Archives Issue 432
At three o’clock in the morning, in a hotel room high above still-glimmering Montreal, Tina Turner is plugging into the universal buzz: nam-myo-ho-renge-kyo, nam-myo-ho-renge-kyo, nam-myo-ho-renge-kyo. The words are Japanese, but shaped by that dark, burnished voice, now pulsing with reined power, they sound like some plaintive native-American lament — an effect perhaps subliminally suggested by the dramatic sweep of Tina’s high, part-Cherokee cheekbones.
It has already been fifteen years since Tina Turner’s Twenty Four Seven ‘Millennium’ tour was rumbling through Europe. During a particularly grey and wet summer, the rock and roll circus put up its tents in all the major cities: Paris,London, Berlin and… Groningen?! Yes, that’s right, Groningen – if you don’t know it: Google it!