It is with sadness that we heard yesterday the passing of Franco Tunisian designer Azzedine Alaia at the age of 77. His seductive, clinging clothes were a massive success in the eighties and he was named by the media ‘The King of Cling’. Devotees included both fashion-inclined celebrities and fashionistas: Grace Jones (wearing several of his creations in A View to a Kill), Raquel Welch, Madonna, Janet Jackson, Brigitte Nielsen, Naomi Campbell and of course our TINA.
After buying Alaia’s clothes in L.A, the Break Every Rule singer personally called him while in Paris and asked to meet him. The two would create an intimate relationship and he ended up designing some of Tina’s most memorable stage outfits as well as personal clothes.
And in memory of Mr. Alaia, here’s an audience recording of Tina performing ‘I Don’t Wanna Lose You’ live on June 28, 1990, at the Palace of Versailles in France. The quality of the recording is not the best, but what is funny about the track is Tina’s introduction:
“I’m gonna do this one for, my boyfriend. I call him Azzedine.”
‘The man who ‘invented’ Supermodels’, photographer Peter Lindbergh has some great things to say about Tina Turner! We highy recommend you to visit his sucessful exhibition at Kunsthal Rotterdam, The Netherlands, which last until February 12, 2017!
Tina was spotted today in Rotterdam, attending the opening of Peter Lindbergh photo exhibition. Tina has been photographed many times by the artist, their most famous collaboration being the Hanes campaign and the Missing You video clip that Lindbergh shot in 1996.
Our Queen looks totally stunning at nearly 77 (don’t forget the #TINA77 hashtag on Nov.26) and these pictures are a boost of energy for all of us fans! Thanks to the all the photographers who shared their pic on Instagram.
The year 1993 saw another release of a newly produced song: “Why must we wait until Tonight”, again a collaboration between Tina Turner and Bryan Adams. It turned out to be only a medium success but is still a nice slow song to listen to.
As we know from today´s point of view, Tina Turner was in the middle of her career when the biographical movie “What´s Love Got To Do With It” – named after her signature song and USA #1 hit – was released in 1993. The movie was based upon the book from 1986 “I, Tina” which she co-wrote with the music journalist Kurt Loder and which featured many interviews with contemporary witnesses like band/family members, music colleagues, and Tina Turner herself. Maybe it was even not clear to herself that there would be new albums and tours until the year 2009 which makes the release of a bio pic only reasonable if you consider her age in 1993 when she was 53. But there were still at least 15 years to come – full of appearances and releases. Because of the heavy ammunition she fired at the world – an album incl. re-recordings and completely new material, the release of several songs from that album incl. the usual marketing appearances, the movie itself and then even a US tour plus some festival appearances in Europe and Australia – the year 1993 will always be a year to remember.
The year 1993 was a real Tina Turner year and offered the full range of a pop star´s work and output: a new album (or at least partly new as most of the tracks were re-recordings), several releases as singles, a tour in the United States and several festival concerts overseas and – of course – magazine articles, TV appearances and – the reason for all the drama – the autobiographical movie “What´s Love Got To Do With It”. 1993 started with the release of “I Don´t Wanna Fight” which turned out to be a big hit on both sides of the Atlantic. Continue reading I Don’t Wanna Fight (No More)→
Missing You is a song featured on Tina Turner’s 1996 record Wildest Dreams, and the third single of that album. The song is a John Waite cover, who had a number one hit with it in 1984. The video for the song was filmed by photographer Peter Lindbergh, and was part of Tina’s promotional campaign for Hanes Hosiery. The song was also performed live during every night of the 1996/1997 Wildest Dreams tour. In this post, we look back at the origins of this song.